Amy Seiwert’s Imagery, a contemporary ballet company in San Francisco, believes that ballet is an expressive and vital voice relevant to our times. Imagery’s artists share the belief that through collaboration & experimentation, vibrant and courageous ideas are expressed and habitual reactions are discouraged. Imagery’s mission is to expand the definition of ballet by exploding preconceptions of what ballet is and can be.
Perform off-the-ground dances that expose the range and power of female physicality. We experiment with height, speed and gravity, dancing on steel objects that are both architectural and fabricated. We dance at the intersection of social justice and acrobatic spectacle. We dance anywhere from two to one hundred feet off the ground. We offer performance as a medium for social commentary and choose projects that advance female empowerment in the public realm. At its core, our work explores the female body– its tumultuous expressions of strength and fragility.
Teach a signature style of apparatus-based dance. We offer year round classes to adults, teens and youth; we offer GIRFLY, an Art & Activism Program, integrating dance-making and activism. Our training with youth offers some remedy for the ways women and girls remain underserved in public culture as a whole. We also offer KIDFLY school residencies that link social justice content, school curriculum and movement innovation, where your young artists are our collaborators.
Advocate and provide the bridge between women in the arts and civic life. We are constantly developing new forms for community engagement and coalition building with activists and non arts partners.
Ross Travis (Lead Artist) is a professional Actor/Creator, Bouffon, Clown and Circus Performer who has studied with world renown master pedagogues including Dodi DiSanto, Giovanni Fusetti, Ronlin Foreman and Master Lu Yi. Ross’ lineage of training and experience allows him to create unique and provocative performances that combine buoyant humor, cutting satire, physical spectacle and unscripted audience interaction to provoke and challenge his audiences. He has developed multiple works in this vein including Apocalyptika, a satirical romp that took a sledgehammer to the convenient stories we tell ourselves about how our world will end and You Killed Hamlet, or Guilty Creatures Sitting At A Play, which skewered the ways in which Western society avoids death. This show won critical acclaim while touring from San Francisco to Toronto, Edmonton, Vancouver and Montreal. The piece was awarded the San Francisco Best of the Fringe Award, the Vancouver/Plank Magazine Talk of the Fringe Award, a nomination for Vancouver’s Georgia Straight Critic’s Pick Award, and was an Official Selection of the Toronto Festival of Clowns.